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2005 Willie Nelson interview featured in new book

I’m excited that an interview I recorded with Willie Nelson 20 years ago is included in a new book. Willie Nelson on Willie Nelson: Interviews and Encounters, which was edited by Paul Maher Jr., is a compilation of transcripts of 31 interviews he has given over the decades about a broad range of topics. The book was released on Sept. 16 by Chicago Review Press.

Michael Hibblen interviewing Willie Nelson in Plantation, Florida on May 26, 2005. Photo: Candace West/Miami Herald

Michael Hibblen interviewing Willie Nelson in Plantation, Florida on May 26, 2005. Photo: Candace West/Miami Herald

An editor’s note prefacing the chapter that featured my interview said, “One of the many causes supported by Willie Nelson is to combat global warming and crude oil dependence on foreign nations. Here he details to reporter Michael Hibblen his choice to use biodiesel fuel and the formation of BioWillie, his own biofuel company.”

I was working for the Miami Herald when I met Willie on May 26, 2005 as he was refueling three leased tour buses with biodiesel before a show that night with Bob Dylan. 

“It’s fuel that can be grown by farmers, and I’ve been involved with the farmers for a long time. I see it as a way for those guys to have a better life — and at the same time it’s good for the environment. It also reduces our dependency on energy from around the world where we could become more self-sufficient,” Willie said. 

The cover of "Willie Nelson on Willie Nelson," edited by Paul Maher Jr.

The cover of “Willie Nelson on Willie Nelson,” which was released by Chicago Review Press.

At the time, he owned a biodiesel station called Willie’s Place, which was located along Interstate 35 in Texas between Dallas and Waco, about 15 miles from his boyhood hometown of Abbott. Behind the station was a six-acre facility capable of producing 3 million gallons of biodiesel fuel a year. 

“It’s a truck stop that’s been there for a long time. My friend Carl Cornelius — the joke is that I won it in a poker game, and now I’m trying to lose it back. But it’s a great spot to promote biodiesel because we have a pump there, and we got some BioWillie there, and a big sign, and we’re doing a lot of business with XM Radio.”

A 750-seat theater and radio studios were eventually built there, but after a loan default, Willie’s Place went into foreclosure six years after our interview. It would become a standard truck stop known as Petro Carl’s Corner. The theater and radio studios, along with gold records and other memorabilia, are now gone.

After the interview, Willie performed that night with Bob Dylan at Fort Lauderdale Stadium. It was part of a tour that featured them playing at old ballparks around the country, which Willie told me was Bob’s idea. As I mentioned, they would be playing later that year at Ray Winder Field in my hometown of Little Rock, Arkansas. It would close the following year and was eventually torn down. Likewise, Fort Lauderdale Stadium would be demolished in 2019. 

AUDIO: Interviewing Willie Nelson on May 26, 2005 about his use of biodiesel while refueling his tour buses in Plantation, Florida. We also discussed the tour he was on with Bob Dylan, playing mostly in old minor league ballparks.

The text that was republished in the book came from this page on my website, while additional photos are also featured. Audio of the interview was broadcast on South Florida NPR station WLRN-FM 91.3, which had a news partnership sharing content with the Miami Herald

Filling in hosting ‘Not Necessarily Nashville’

I’m looking forward to seeing Jim Lauderdale play tonight in Little Rock. I’ve been listening to his songs for years, but still don’t feel like I have a true appreciation of his music. I’ve heard he’s great live, so I’m excited to see him performing at Stickyz on Sunday, Oct. 19. Leading up to the show, I played a couple of Lauderdale’s bluegrass songs — including his latest — while filling in last weekend hosting Not Necessarily Nashville on Little Rock Public Radio’s KUAR-FM 89.1. Below is the full playlist for the show.

It’s always a joy filling in for Flap Jones a few times a year. The first time I hosted her program was 35 years ago — that’s how far back she and I go. Flap has enlightened me to so much good country music, and she has so many longtime regular listeners that I know the bar is very high whenever I’m on the show. 

AUDIO: Not Necessarily Nashville, Oct. 11, 2025 at 7 p.m. on KUAR-FM 89.1.

I also played a reflective song from Joe Ely, who announced last month he has been diagnosed with Lewy body dementia and Parkinson’s disease, two conditions that significantly affect cognitive and physical functions. He and his wife Sharon are being very open, with a post on Facebook saying they’re sharing the journey, “not to dwell in hardship, but to bring understanding, awareness and hope through the healing power of music.”

Not Necessarily Nashville playlist Oct. 11, 2025:

Willie Nelson (featuring Loretta Lynn) — “Somewhere Between” (To All The Girls…)
Jim Lauderdale (featuring the Po’ Ramblin’ Boys) — “Little Bitty Diamonds”
Jim Lauderdale — “All Roads Lead Back To You” (The Bluegrass Diaries)
Kathy Mattea — “Life As We Knew It” (Untasted Honey)
Waylon Jennings — “I Hate To Go Searchin’ Them Bars Again” (Songbird)
T
he Byrds — “I Am A Pilgrim” (The Byrds)
T
he Reivers — “Please Don’t Worry” (Second Story)
P
atterson Hood — “Pinicco” (Exploding Trees & Airplane Screams)
A
lison Krauss — “Poison Love” (Windy City)
B
illy Joe Shaver — “Ramblin’ Fever” (Tulare Dust – A Songwriters’ Tribute to Merle Haggard)
J
oe Ely — “You Can Bet I’m Gone” (Satisfied at Last)
I
ris DeMent — “Let the Mystery Be” (Infamous Angel)
Gram Parsons & Emmylou Harris — “Cash on the Barrelhead” (Grievous Angel)
T
exas Tornados — “(Hey Baby) Que Paso” (Los Texas Tornados)

Project to create busts of influential Arkansas musicians

An amazing project to honor many Arkansas musicians who were influential across a broad range of genres is being planned for North Little Rock. Artist Kevin Kresse, best known for sculpting an eight-foot-tall bronze statue of Johnny Cash that was unveiled last year in the U.S. Capitol, is planning to make busts of 19 additional musicians, along with one of industry executive Al Bell.

The busts, which are scheduled to be completed in 2029, will be displayed in the ATG Pavilion in Argenta Plaza. They will be anchored by a full-size replica of the Cash statue, to be made using the same mold that created the statue for the Capitol. I discussed what’s being planned with Kresse and project Campaign Chair John Gaudin on “Arkansas Week,” which aired Friday, August 29 on Arkansas PBS.

In addition to the busts being placed in the pavilion, replica busts will be provided to the hometowns of each musician. Fans travel from around the world to see the places where Cash, Levon Helm, Sister Rosetta Tharpe and others grew up. This will help those communities honor their legacies.

Below is a complete list of the Arkansans being honored and the towns that will receive busts:

  • Johnny Cash — Kingsland
  • Louis Jordan — Brinkley
  • Al Green — Forrest City
  • Levon Helm — Marvell
  • Glen Campbell — Delight
  • Florence Price — Little Rock
  • Pharoah Sanders — North Little Rock
  • Lefty Frizzell — El Dorado
  • William Grant Still — Little Rock
  • Charlie Rich — Colt
  • Sonny Boy Williamson — Helena
  • Scott Joplin — Texarkana 
  • Big Bill Broonzy — Pine Bluff
  • Jimmy Driftwood — Mountain View
  • Conway Twitty — Helena
  • Sister Rosetta Tharpe — Cotton Plant
  • Granny Almeda Riddle — Heber Springs
  • Al Bell — North Little Rock
  • Albert King — Osceola
  • Ronnie Hawkins — Fayetteville
  • Howlin Wolf — West Memphis

In the second segment of the program, I talked with Dr. Pearl McElfish, director of the University of Arkansas for Medical Sciences Institute for Community Health Innovation about efforts to improve maternal health. She provided an assessment of postpartum care, which is especially dire in rural areas. The institute is working to reach new mothers through a combination of telemedicine, mobile clinics and remote monitoring, she said.

Filling in hosting ‘Not Necessarily Nashville’

I sat in for my pal Flap Jones this past weekend hosting Not Necessarily Nashville on Little Rock Public Radio’s KUAR-FM 89.1. It’s always a joy selecting an hour of music to play and discuss. 

With only a few days before the Wednesday, March 19 screening of the Arkansas PBS documentary Unveiled: Daisy Bates and Johnny Cash at Robinson Center in Little Rock, followed a week later by Bob Dylan performing at the same venue on Wednesday, March 26, I played two songs Cash and Dylan recorded together. These versions of “Guess Things Happen That Way” and “I Still Miss Someone” were recorded during two days in a Nashville studio in February 1969 and were eventually released a half-century later in 2019 as part of Dylan’s The Bootleg Series, Vol. 15, Travelin’ Thru

AUDIO: Not Necessarily Nashville, March 8, 2025, 7 p.m. on Little Rock Public Radio’s KUAR-FM 89.1.

I also played a couple of songs from an album by Mary Chapin Carpenter and Scottish musicians Lulie Fowlis and Karine Polwart. Looking for the Thread was released in January and has been a relaxing escape during my work commutes over the last few weeks.

Not Necessarily Nashville playlist, March 8, 2025:

Buck Owens and the Buckaroos – “Johnny Be Goode” (Buck Owens in London)
Mary Chapin Carpenter, Julie Fowlis, Karine Polwart – “Satellite” (Looking For The Thread)
Jim Lauderdale “Delta Blue” – (Can’t Steal My Fire: The Songs of David Olney)
Bob Dylan and Johnny Cash – “Guess Things Happen That Way” (The Bootleg Series, Vol. 15: Travelin’ Thru, 1967-1969)
Bob Dylan and Johnny Cash – “I Still Miss Someone” (The Bootleg Series, Vol. 15: Travelin’ Thru, 1967-1969)
Glen Campbell – “These Days” (Meet Glen Campbell)
Kinky Friedman – “See You Down the Highway” (Poet of Motel 6)
Ray Charles and Willie Nelson – “It Was a Very Good Year” (Genius Loves Company)
Nancy Sinatra and Lee Hazelwood – “Some Velvet Morning” (Movin’ with Nancy)
Alison Krauss & Union Station – “Looks like The End of the Road” (Arcadia)
Sam Moore and Conway Twitty – “A Rainy Night in Georgia”
Ringo Star – “Time on my Hands” (Look Up)
Tom T. Hall – “I Miss a Lot of Trains”
Mary Chapin Carpenter, Julie Fowlis, Karine Polwart – “Looking for the Thread” (Looking For The Thread)

Screening to premiere ‘Unveiled: Daisy Bates and Johnny Cash’

Nathan Willis films as Benjamin Victor works on his clay model of Daisy Bates. Photo: Arkansas PBS

On this state holiday honoring civil rights pioneer Daisy Gatson Bates, people can register for free tickets to a screening next month of an Arkansas PBS original documentary that tells the story of placing statues of Bates and singer-songwriter Johnny Cash in the U.S. Capitol. While working for Little Rock Public Radio’s KUAR in previous years, I reported on each step of the process — often alongside filmmaker Nathan Willis — and know people will enjoy watching the fascinating details of the legislative debate, selection of the sculptors, the physical work of making the statues, then getting the needed approvals to place them in the Capitol.

The screening will be Wednesday, March 19, 7 p.m. at Robinson Center in Little Rock. You can register for free tickets here. There will first be a panel discussion, followed by the documentary. It will make its broadcast premiere the following night, Thursday, Feb. 20 at 7 p.m.

UPDATE: After the two nights of showings, the entire film can now be watched on the PBS app and YouTube. I’ve replaced the promo clip that was below with the full film. Enjoy!

Raving about Willie Nelson during Arkansas PBS pledge drive

I had the most fun I’ve ever had during a pledge drive on Wednesday, Dec. 11 as Arkansas PBS featured an evening airing Willie Nelson’s 90 Birthday Celebration, followed by a 1990 concert with country supergroup the Highwaymen, which was made up of Nelson, Johnny Cash, Waylon Jennings and Kris Kristofferson.  

I’ve long been a huge fan of Willie and have seen him in concert more than any other performer — maybe a dozen times since 1990. I spoke about being introduced to Willie’s music at a young age in the 1970s when my mom would play his 8-tracks Red Headed Stranger and Stardust on practically every family trip to see my grandparents. I didn’t enjoy Willie then, but over the years, watching him perform during the first Farm Aid concert in 1985 and many times on Austin City Limits helped me begin building an appreciation. Eventually seeing him in concert, I realized what an amazing performer he was.

So it was a joy to talk about Willie as we were showing a couple of his concerts. Joining me on the air was singer-songwriter Ryan Harmon, who, despite his young age, has an encyclopedic knowledge of country music. Years earlier he had worked in the marketing department at Arkansas PBS, but after being selected for an audition with ABC’s American Idol, took the encouragement he received from judges and is now focused on building his career as a musician. 

If you watch the video below, you’ll see we had a great time on the air. The video only features highlights from our local breaks with none of the concerts we were showing to avoid copyright infringements by posting this to YouTube. 

Among the things I spoke about during the pledge drive was my one experience interviewing Willie for a half-hour in South Florida in 2005. I was working for the Miami Herald, which had a partnership providing local news to PBS/NPR station WLRN. You can hear the interview and read a transcript here.

During breaks in the Highwaymen show at Nassau Coliseum, we also talked about the unveiling of the Johnny Cash statue earlier that year in the U.S. Capitol, which I was excited to attend. His statue and one of civil rights pioneer Daisy Bates, unveiled earlier in the year, now represent Arkansas. Each state is allowed two statues, and Bates and Cash were selected by the Arkansas General Assembly in 2019.

Interviewing Willie Nelson in Plantation, Florida on May 26, 2005. Photo: Candace West/Miami Herald

I also discussed covering the restoration years earlier of Cash’s boyhood home in Dyess, which began when Arkansas State University bought the dilapidated farmhouse as part of its Arkansas Heritage Sites program. Fundraising for the project began with a 2011 with a concert in Jonesboro, which included Kris Kristofferson. Willie would perform the second year, with a dedication ceremony of the home eventually held in 2014.

The preservation of the Cash home and placing a statue of he and Bates in Washington are, by far, my favorite stories to have covered during my long career.