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Landmark restaurant Dondie’s to reopen after fire

Dondie’s White River Princess on May 12 after much of the repair work had been completed to the restaurant. Photo: Michael Hibblen

Dondie’s White River Princess on May 12 after much of the repair work had been completed to the restaurant. Photo: Michael Hibblen

Seven months after a fire caused extensive damage to Dondie’s White River Princess in Des Arc, the landmark seafood restaurant will be reopening to the public on Friday, May 29 at 5 p.m. During the previous weekend, on Saturday, May 23, a first serving of food was for firefighters and other emergency personnel, “to show our appreciation for their fast response and hard work put into saving all they could at Dondie’s,” a post on the restaurant’s Facebook page said.

The restaurant was closed when the fire broke out on the night of Oct. 16. Co-owner Ben Scott says it was ignited by hot towels that had just been dried and spontaneously combusted after employees left. Scott, his wife Courtney, and his parents Roger and Belinda Scott have jointly owned the restaurant for more than two years, which sits alongside the White River, is two stories tall and was designed to look like a large riverboat. He says they immediately knew they wanted to make repairs and reopen, but didn’t know if that would be possible.

“There was definitely a mix of emotions,” Ben Scott said. “We didn’t know with insurance and how all that was going to play out, if [reopening] was going to be possible. So that’s kind of how we were able to reopen and it all worked out, but we had a lot of uncertainty there for a couple months.”

While he doesn’t have an exact cost, Scott says repairs were more than $500,000, with insurance covering the work.

“I wouldn’t really call it fighting with insurance, it’s just a process. They never really ever acted like they weren’t going to pay because it was a payable claim. It’s just a matter of trying to figure out how much was damaged and what it would cost for reconstruction. So it was a process and definitely there were some times we were unsure,” Scott said. “But we definitely had a lot of support and encouragement and prayers, and honestly, it’s everything you’d expect from a small town that loves its businesses.”

The restaurant was first opened by its namesake Dondie Guess in 1989. After a few years, he sold Dondie’s to Mike Scarter, who owned and operated it for more than three decades. In early 2024, Scarter sold the restaurant to the Scott family.

“He got older and had gotten in bad health and just decided it was time to sell,” Scott said. “I had spoken with him probably five or 10 years ago about potentially, if something ever happened and he got to a point that he wanted to do something, that I was interested.”

Roger and Belinda Scott had owned several other restaurants in Des Arc for about 25 years. Ben Scott says having grown up in the industry, it was natural for him to eventually want to co-own a restaurant. Roger Scott has also served as Des Arc’s mayor since 2023.

Patrons of Dondie’s won’t notice many changes when it reopens. There are some new nautical-themed items on display, lighting has been modified in places and the kitchen has been modernized. A new sign features the restaurant’s slogan “Dock. Dine. Unwind. Every meal is a shore thing.” Scott said the menu hasn’t been modified.

“It’ll pretty much look the same as what everybody remembers it as,” he said. “We’re excited to serve everybody and we want everybody to have a good experience.”

Scott said there might be a few new workers, but most of the staff will be the same people who were working there before the fire. While those employees were without work in December, Dondie’s organized a fundraiser selling tee-shirts for $20 each, with all proceeds going to the employees.

He knows a lot of people are eagerly anticipating the reopening and is asking for patience from customers.

“We’re kind of out of the swing of things for seven months and I think we’re going to be really busy,” Scott said. “Wait times may be high, but just please be patient with us. We’re excited to open, we’re excited to serve everybody and we want everybody to have a good experience.”

One of those excited to see Dondie’s reopen is Rex Nelson, a senior editor for the Arkansas Democrat-Gazette who frequently writes about food, restaurants and culture. He describes Dondie’s not just as a local gathering spot, but a regional gathering spot with customers who are willing to make a drive.

“It’s just one of those places that you’re going to see everybody from a certain era, either on a Friday night or a Saturday night or a Sunday after church at Dondie’s,” Nelson said in an interview. “Whether it’s a Dondie’s or a Craig’s Barbecue at DeValls Bluff, the thing about those Delta restaurants is that Delta folks will drive an hour for a good meal.”

Nelson’s mother and grandparents lived in Des Arc and as a child, he spent much of his summers in the city, though that was years before Dondie’s opened.

“Dondie’s kind of in a way hearkens back to an older, lower White River culture that we’re quickly losing. I hope that it’s here for many vears to come and I’m heartened that they decided to build back after the fire.” Nelson said. “It is certainly in the tradition of the great catfish places you used to find all up and down the White River, and it’s got one of the best views of the river anywhere.”

I reported this story for the May 26 issue of The Grand Prairie Herald. Our intern Eli Dean of Harding University helped me write the story.

Named Managing Editor of Newsroom Ventures newspapers

I am proud to share that I have been hired to serve as managing editor for the recently formed Newsroom Ventures LLC, which is the parent company of six newspapers acquired over the last year by Roby Brock. I’ll also be a contributing reporter for state news organization Talk Business & Politics.

Michael Hibblen and Roby Brock on April 24 in the Little Rock television studio of KARK-4 and KLRT-Fox 16 where Brock records his programs "Capitol View" and "Talk Business & Politics." Photo: Hibblen selfie

Michael Hibblen and Roby Brock on April 24 in the Little Rock television studio of KARK-4 and KLRT-Fox 16 where Brock records his programs Capitol View and Talk Business & Politics.

I’ve known Roby since I moved back to Arkansas 17 years ago, partnered with him on many stories while I was working at Little Rock NPR station KUAR-FM 89.1 and am pleased to now be working for him. KUAR aired a radio version of Talk Business & Politics and Roby often joined me on the air to discuss political topics.

I greatly appreciate that he has purchased these community newspapers — many of which were on the verge of being shut down. All have histories stretching back a century or longer of serving their communities. I’m glad Roby came up with a viable business model to keep publishing weekly editions of each paper, while we are also expanding their websites and social media presence.

At this point, I’m primarily editing and reporting for The Glenwood Herald and The Grand Prairie Herald in Hazen. I’m steadily expanding my responsibilities for our other newspapers, which are The Pine Bluff Commercial, The England Democrat, The Fordyce News Advocate and The Waldron News.

I started as a freelance reporter for the company on March 9, then on April 24 Roby announced I was becoming its managing editor. In a story that ran in the newspapers about my news position, Roby said: “I’ve known Michael for many years and I value his friendship as much as I do his news reporting, editing skills and attention to detail. He will be a great asset to our collection of newspapers, websites and social media platforms.”

I appreciate his confidence and have enjoyed writing for the newspapers, especially feature stories about the people of the communities I’m getting to know. The Arkansas Press Association also ran the story about me becoming managing editor.

The cover of the May 7 issue of the Arkansas Press Association's weekly magazine Publisher's Weekly. Click to read as a PDF.

The cover of the May 7 issue of the Arkansas Press Association’s weekly magazine Publisher’s Weekly. Click to read as a PDF.

The association is a nonprofit trade organization that supports the state’s newspaper industry. The following week, Ron Kemp interviewed me for a very kind profile which was run in the APA’s May 7 issue of Publisher Weekly. He noted the irony of me now being part of the England newspaper as I spent a year working for a radio station in the city, KLRA-FM 96.5, while I was in high school 36 years ago.

I occasionally meet with Roby at the England Democrat, with the newspaper office still located in the downtown building that has long been its home. It features some fascinating old newspaper equipment that Roby eventually plans to display as part of a museum there. The England building is also the company headquarters for Newsroom Ventures. The Hazen newspaper, where I work each Tuesday, is also in its longtime downtown location, looking out on the unused track that once carried passenger and freight trains of the Rock Island Railroad. The historic passenger depot is a block over.

I joined Roby on the May 3 episode of his television show Talk Business & Politics, which airs on KLRT-Fox 16, while the audio airs on my former radio station KUAR. He opened the segment by announcing I had been hired as managing editor, then we discussed the end of the fiscal session of the Arkansas Legislature and plans for a special session which would begin the following week to consider a state tax cut package.

I’ve always loved writing for newspapers and am looking forward to what’s ahead. While early in my career, I wanted to work in the biggest markets possible, today I’m finding incredible joy working at community newspapers which provide unique storytelling experiences.

Groundbreaking for project to honor Arkansas musicians

Sculptor Kevin Kresse speaks during a groundbreaking ceremony Monday for the atg Pavilion at Argenta Plaza in North Little Rock. Photo: Michael Hibblen

Sculptor Kevin Kresse speaks during a groundbreaking ceremony Monday for the atg Pavilion at Argenta Plaza in North Little Rock. Photo: Michael Hibblen

A groundbreaking ceremony was held Monday in North Little Rock for a pavilion in Argenta Plaza that will eventually house statues and busts of influential musicians who emerged from Arkansas. Artist Kevin Kresse, best known for crafting an eight-foot-tall bronze statue of Johnny Cash for the U.S. Capitol, is making the sculptures of 20 musicians who span a broad range of genres, along with Stax Records executive Al Bell.

The first group will be unveiled in September, Kresse said, and will include a replica of the Cash statue using the same mold. Others will be Levon Helm, Sister Rosetta Tharp, Al Green, Glen Campbell, Louis Jordan and Florence Price. Subsequent unveiling ceremonies will take place each year until all 21 statues or busts are on display. In addition to the busts being placed in the pavilion, a second casting will be made of each which will be placed in the hometowns of the musicians.

“It’s something that I’ve been dreaming about for so long that it’s almost surreal that this day is here,” Kresse said in an interview before the ceremony. “It’s the beginning of what I see as a longer adventure with this being the beginning of it. But I see this spreading out around the entire state eventually, hopefully moving on to educational components for kids and everything too.”

Attending the event were private financial donors, state and local tourism officials, representatives of the communities the musicians are from and some of the musicians’ family members. The pavilion is being named after Applied Technology Group, which is headquartered a few blocks away and is owned by Scott and Ruth Landers. The $3 million project is a partnership between North Little Rock Tourism and the nonprofit Argenta Arts Foundation.

“This project will move the needle on tourism not just in the Argenta Arts District, but throughout the state, as well,” said John Goudin, who is the project’s campaign chair. To the financial backers, he said “they’ve never blinked from day one on this project, so thank you all so much.”

Also at the ceremony were Glen Campbell’s youngest sister Sandi Campbell Brink and cousin Steve Campbell, who still lives in Pike County. Glen Campbell was born in the community of Billstown, near Delight, which is also where he was laid to rest in his family’s cemetery after his death in 2017.

Steve Campbell said the second cast of the statue will be placed in a room at the Delight Branch Library. In the meantime, he said in an interview that he’s painting the room and preparing materials that will be placed in there.

“The heritage of music in Arkansas is totally unbelievable. When you start looking at the people that came out of Arkansas and made it so well, it influenced the entire world of music. So Glen being part of it, it thrills us to the core. But all of the others, as well, that there are parts of it, where just the whole nucleus stretches out to the entire state.”

Kresse says the idea of creating a series of statues came to him in 2018 while driving back from the city of Marvell where he had unveiled a bust of Levon Helm, drummer for The Band. He said he had a list in his head of artists he wanted to honor, then began working with radio host Stephen Koch of “Arkansongs” and musician Greg Spradlin. Koch and Spradlin had been working on getting highways named for some of the musicians. But the project was put on hold when Kresse was commissioned for the Cash statue in the U.S. Capitol. Once that was unveiled on Sept. 24, 2024, he then began talking again with Goudin.

The goal, Kresse said Monday, was “for everyone in Arkansas to see the huge cultural impact that the music has had on the whole world and for them to get a real sense of pride of that.”

Also at the ceremony was Jimmy Cunningham, director of tourism development for the Pine Bluff Advertising and Promotion Commission. Compared to the neighboring states of Tennessee, Mississippi and Louisiana, he said Arkansas is late in promoting its musical heritage.

“Arkansas’ got such an incredible, incredible music history, with so many greats, so many giants, and so many contributions, but we haven’t curated our narrative. And so, you know, if nobody else tells the story, how is it gonna get out? We gotta do it ourselves,” Cunningham said.

“I’m excited about it because I think Arkansas needs to celebrate its music. It needs to tell the world how important that music is, and this is one way to do it.”

Arkansas Department of Parks, Heritage and Tourism Secretary Shea Lewis said the pavilion will become a key stop along the Arkansas Music Trail, giving travelers a place to connect to the state’s musician legacy while also boosting economic tourism.

“When visitors come here to see the 21 different busts,” he said, “they’ll stay and explore our restaurants, shops, and the riverfront that North Little Rock has to offer. It’s the power of tourism. It drives our foot traffic, supports small businesses, it strengthens our overall communities, as well as quality of life. It’s what makes Arkansas special, our creativity, our culture, the warm, welcome people that they feel when they arrive.”

Below is the complete list of artists being honored and the cities where second castings of statues and busts will be placed:

  • Al Bell — North Little Rock
  • Big Bill Broonzy — Pine Bluff
  • Glen Campbell — Delight
  • Johnny Cash –- Dyess
  • Jimmy Driftwood — Mountain View
  • Lefty Frizzell — El Dorado
  • Al Green — Forrest City
  • Ronnie Hawkins — Fayetteville
  • Levon Helm — Marvell
  • Scott Joplin — Texarkana
  • Louis Jordan — Brinkley
  • Albert King — Osceola
  • Florence Price — Little Rock
  • Charlie Rich — Colt
  • Granny Almeda Riddle — Heber Springs
  • Pharoah Sanders — North Little Rock
  • William Grant Still — Little Rock
  • Sister Rosetta Tharpe — Cotton Plant
  • Conway Twitty — Helena
  • Sonny Boy Williamson — Helena
  • Howlin’ Wolf — West Memphis

This story was published by Talk Business & Politics on May 11 and will run in upcoming issues of The Pine Bluff Commercial and The Glenwood Herald.

Gov. Sanders signs Arkansas budget bill into law, tax cut special session next

Gov. Sarah Huckabee Sanders was joined by legislative leaders for a bill signing ceremony at the conclusion of the fiscal session of the Arkansas General Assembly. Photo: Michael Hibblen

Gov. Sarah Huckabee Sanders was joined by legislative leaders on Wednesday to sign identical budget bills. Photo: Michael Hibblen

At the conclusion of a three-week fiscal session of the Arkansas Legislature, Gov. Sarah Sanders on Wednesday (April 29) signed the Revenue Stabilization Act into law.

The $6.7 billion budget for the fiscal year that begins in July includes an increase in funding for Educational Freedom Accounts, authorizes millions in economic incentives to attract a major manufacturer to West Memphis and funds a pay increase for Arkansas State Troopers.

The governor was surrounded by Republican state lawmakers for the bill signing ceremony.

“A fiscal session is always a mad dash, but we came together, we did the work and we delivered for the people of Arkansas,” Sanders said.

The budget meets the goals she laid out in her State of the State address at the start of the session, Sanders said, “and because of that, we will now be able to cut taxes for the fourth time in three years next week.” That’s when legislators will return to the Capitol for a special session focused on reducing state taxes.

“When we cut Arkansas’ income tax, we will have lowered our overall rate since I took office by 25% and returned more than $1.5 billion to the people of Arkansas. We will also lower our corporate tax rate … by 0.2% and continue to make Arkansas the best state in America to do business,” Sanders said.

Senate President Pro Tempore Bart Hester, R-Cave Springs, acknowledged to state agency directors and cabinet secretaries in the room that the final approved budget would be tight for all of them. But he said that was necessary to put the state in a financial position to responsibly pass additional tax cuts.

“What we’re asking them to do is more with less and continue to serve the people of Arkansas. I want to thank every state employee who’s out there doing their part to make sure that we continue to provide great services,” Hester said.

House Speaker Brian Evans, R-Cabot, stressed the importance of education-related votes during the fiscal session.

“Education that is for all children, regardless of their age, their gender, their background, their wealth index, or physical, or mental capabilities,” Evans said. “We are investing in the children of Arkansas.”

Additional EFA funding

When Sanders was questioned about expanding funding to cover the growing cost of sending kids to private schools or for home schooling, she said public schools are also benefitting from the budget approved by the legislature.

“We’re putting about $300 million into Education Freedom Accounts. At the same time, we’re putting $3.3 billion into public education — 10 times as much — the largest investment we’ve ever made in public education in the state of Arkansas. And you want to know what the best part is? It’s actually working,” Sanders said.

“Our kids are doing better, our teachers have higher satisfaction than they have ever had, our state is winning because we’re investing where it matters, and it’s gonna make a difference, not just in the immediate, right now. We’re seeing our test scores go up. We’re seeing our schools do better.”

She suggested the benefits to education will be felt for decades to come and said Arkansas is a blueprint that other states are following.

West Memphis Superproject

The budget authorizes up to $300 million to be transferred from surplus funds to help convince a major manufacturer to build a superproject in West Memphis. Details are being kept confidential, but it has been suggested the project could initially create up to 4,000 jobs, then another 2,000 after completion.

“I’m hopeful that we will be able to get this project,” Sanders said. “It will be a massive economic investment in a region of our state that will benefit greatly.”

Sanders said she couldn’t get into specifics about the other states vying for the project, but suggested “Arkansas is in a very good position.”

The money would be split into $150 million for an incentives package, then another $150 million for infrastructure improvements, like roads and highways. There have been assurances this is not a data center.

Senate and House leadership

During his remarks, Senator Hester congratulated Sen. Breanne Davis (R-Russellville) for winning a majority of the votes in the Senate earlier in the day to become president pro tempore designate for next year’s general session. But that’s not the final vote.

Sen. Ron Caldwell, R-Wynne, told colleagues he too is interested in the leadership position. After the November election and before the Senate is convened next year, a decision is expected during an organizational meeting.

Meanwhile in the House, Speaker Evans, who did not face a challenge, was again elected to the top leadership position in that chamber.

This story was reported for Talk Business & Politics and the six newspapers published by Newsroom Ventures. I’ll discuss the fiscal session and what’s planned for next week’s special session on the “Talk Business & Politics” program airing Sunday, May 3  at 9:30 a.m. on KLRT-Fox 16 in Little Rock, KNWA-Fox 24 in Fayetteville and on Monday, May 4 at 6:05 p.m. on Little Rock Public Radio’s KUAR-FM 89.1.

Remembering Pike County-native Glen Campbell

This story was published in the April 24 issue of The Glenwood Herald.

The tombstone for Glen Campbell and his wife Kimberly at the family’s cemetery in Billstown. Photos: Michael Hibblen

The tombstone for Glen Campbell and his wife Kimberly at the family’s cemetery in Billstown. Photos: Michael Hibblen

Wednesday, April 22, would have been Glen Campbell’s 90th birthday. The music legend was born in the unincorporated Pike County community of Billstown and is buried in his family’s cemetery there. But he’s more widely known as a native of the nearby town of Delight where he attended school.

He brought national attention to the town by concluding episodes of his television program “The Glen Campbell Goodtime Hour,” which ran from 1969 to 1972 on CBS, by saying,“If you’re ever in Delight, Arkansas, come see me.” While he dropped out of school in tenth grade to pursue a music career and left Arkansas, relatives of Campbell still live in the area.

Campbell had a five-decade recording career, first as a session musician, then as a solo artist with a string of hit songs. He released 64 studio albums, selling over 45 million records worldwide. He won multiple Grammy Awards in the country and pop categories, along with other awards and honors. Campbell also acted in several movies, including the 1969 screen adaptation of “True Grit” in which he co-starred with John Wayne.

Glen Travis Campbell was born on April 22, 1936 to John Wesley Campbell and Carrie Dell Campbell. He was the seventh son of 12 children. His father was a sharecropper in Billstown and the family struggled financially while primarily growing cotton. The Encyclopedia of Arkansas notes that many of Glen Campbell’s relatives were musicians and that he developed an early interest in singing and playing. He received his first guitar at the age of 4, began performing in public by age 6, brought his guitar to school while in kindergarten and occasionally played on local radio stations.

He moved with his parents to Houston, Texas, then joined an uncle’s band in Albuquerque, New Mexico where he began performing in nightclubs. He eventually moved to Los Angeles in 1960 where, as people familiar with Campbell’s career know, his incredible guitar playing led to him being an in-demand studio musician backing a diverse group of world-renowned singers. As part of a loose collective of session musicians who became known as “The Wrecking Crew,” he played guitar on many of the biggest hits of the 1960s, ranging from Frank Sinatra’s “Strangers in the Night” to the Monkee’s “I’m a Believer.”

Campbell finally found success as a singer in 1967 with “Gentle on my Mind,” followed by the even bigger hits “By the Time I Get to Phoenix” and “Wichita Lineman.”

In the subsequent decades he had ups and downs in his personal life, became fodder for the tabloids, but always managed to reemerge to enthusiastic fans. He openly discussed his struggles with alcohol and cocaine, saying he gave up drinking and drugs in 1987. But in 2003 he had a relapse and spent 10 days in an Arizona jail after pleading guilty to charges of aggravated drunk driving and leaving the scene of an accident.

In 2011, Campbell disclosed he had been diagnosed with Alzheimer’s disease, but rather than immediately pull back from public eye, he embarked on “The Goodbye Tour.” He performed around the world, including shows in Little Rock, Fayetteville, Forrest City and Jonesboro. A film crew followed him on that tour and captured the progression of his illness. The documentary “I’ll Be Me” was released in 2014 with the opening scene showing Campbell and his wife Kimberly watching old home movies, but he didn’t recognize himself.

Like his candor years earlier on drug and alcohol abuse, the film is credited with helping to reduce the stigma and shame of a condition that a sizable percentage of people will experience.

Glen Campbell died at a long-term care facility in Nashville, Tenn. on August 8, 2017 at the age of 81. He was laid to rest the following day during a private ceremony in Billstown, returning to the community where his life began.

Visiting Campbell’s grave

Last year I was listening to a podcast on the Beach Boys, which referenced Campbell’s work with the band and that he filled in for Brian Wilson on a tour for about four months after Wilson suffered a nervous breakdown in December 1964. Campbell, who had recorded on several Beach Boys songs, was quickly brought in to play bass guitar and sing high harmonies. It dawned on me that several times a month I drive relatively close to Billstown, but had never gone through.

On an early Sunday morning, Feb. 2, 2025, after dropping off my daughter in Texarkana, I put the cemetery address of 821 Billstown Road into my phone. It counted down the miles until I started passing tombstones and saw a wooden post with a hanging sign that said “Campbell’s Cemetery.”

I parked and first read a historical marker placed by the state which told the story of Campbell’s life. I then started walking among the many gravestones, most with Campbell as the surname, looking for Glen Campbell. I soon found the one for him and his wife Kimberly, who is still alive, and was looking at the little trinkets that I assume have been left by fans. Then I was a little startled to hear a recording of Campbell singing “Amazing Grace.” Looking around, I saw a speaker in a tree and realized it was likely triggered by a motion sensor. But it was perfect to hear on a solemn Sunday morning while paying my respects to someone whose music has deeply impacted my life.

A speaker in a tree that plays Campbell's recording of "Amazing Grace" when activated by a motion sensor.

A speaker in a tree that plays Campbell’s recording of “Amazing Grace” when activated by a motion sensor.

The sign for Campbell's Cemetery at 821 Billston Road. Photo: Michael Hibblen

The sign for Campbell’s Cemetery at 821 Billston Road near Delight, Arkansas.

I shared this story with my friend Mark Keith, co-publisher of the Hope-Prescott News, owner of the Little River Journal and former owner of the Glenwood Herald, and he told me about his visit to the Campbell Cemetery. Being a musician himself and a radio veteran in the area, he said had previously gotten to know several of Glen Campbell’s relatives, including cousin Steve Campbell.

While driving through Billstown several years ago during the pandemic, he realized he hadn’t seen Campbell’s grave and decided to stop. While he knew about the motion sensor that starts “Amazing Grace,” he too was caught off guard when the song began playing. Then he noticed a long white Chevrolet truck was passing the cemetery.

“So it goes down the road and he stops and backs up. And I thought, oh good lord, I’ve upset the Billstown mafia. Well, Steve Campbell gets out, and I’ve known Steve for many, many years. He plays music, has a group, is a very good singer and a very nice guy,” Keith said.

They visited for a little bit, he said, while maintaining social distancing.

“So I was really tickled to see him and I thought that was a great little story to tell everybody about going to Billstown and running into a real live Campbell there.”