October 1990 – October 1991
KDXY-FM 104.9 was the epitome of what a small town radio station should be. Even though it was only a 3,000-watt station in a city of about 18,000 people, it was in most ways run as professionally as any radio operation I’ve ever worked for. Through a few ownership changes over the years it had evolved into an adult contemporary station then known as K-105.
The building and tower for KDXY as photographed in 1991. Photo: Michael Hibblen
The studios and transmitter were located on a picturesque hill alongside U.S. 49 just outside of Paragould. I liked the building which had housed the station since hitting the air as KHIG on October 4, 1971. The large control room was in the center of the building with windows looking into surrounding rooms and one toward the parking lot.
K-105 had surprisingly professional equipment and, when I started, a live staff of DJs on the air 24 hours a day. The station was very active in the community, manning booths or finding ways to be involved in every festival or event in Paragould. I was impressed with how carefully researched and programmed the music was. KDXY used a TM Century music library on CDs, with CD players that would automatically segue the songs. It was the first station to give me a computer-generated log listing what songs to play when. For the airshift below, you can see the music log I was following.
AUDIO: me on the air at K-105, July 30, 1991, 6 p.m. to 12 a.m, including sweepers, promos and parts of some commercials.
Co-owner and morning show host Trey Stafford had an extremely outgoing personality that seemed to extend from the radio station into the community. I think that was a key part of the station’s success. He was the public face of K-105, getting out when major events were held. Trey also treated the staff with a great deal of respect, which is evident in this formal letter he sent me, asking that I, as the most recently-hired staffer, work on the air while the company Christmas party was being held. He said it was a tradition to have the newest employee on the air, but that food from the party would be brought to me that night.
Me at the control board of K-105 in 1991. Photo: Tim Edens
I was hired in October 1990, shortly after starting college in nearby Jonesboro at Arkansas State University. At that point I had two years of experience in radio and initially did the Saturday morning overnight shift. Within a couple of months, I worked my way into doing weekend evenings. Sunday nights were especially enjoyable because K-105 had what they called Super Gold Sunday every weekend, playing nothing but oldies from the 1960s. This was nice because the music was a little more fun than the strict AC format, which was heavy on people like Lionel Richie, Celine Dion and Barry Manalow.
By the summer of 1991 I was offered a full-time position as evening DJ, which also included me doing more commercial production. My promotion was part of a big change up at the station, which GM Trey Stafford detailed in a memo.
K-105 was the first station I worked for that made regular airchecks of my shifts. Program Director Ron Roe would at random times once every few months record an hour of each DJ from home, then use a form to assess several points, compare how we were following the program and commercial logs, and write suggestions on how we could better implement the format. The management worked hard to ensure the staff presented a consistent image to listeners.
I enjoyed the position, but unfortunately it didn’t last. About that time the FCC had approved a power upgrade for the station which would allow it to become part of the nearby Jonesboro market and greatly expand its listener and advertising potential. Because of the expense of making the upgrade, which necessitated a new transmitter, the station decided to use satellite automation from 8 p.m. to 5 a.m. to save money. That meant my six-hour shift was suddenly cut back to a two-hour shift, after which I would have to record an automation reel with all the local breaks that would run during the rest of night. The overnight DJ was let go.
I quickly grew to hate recording the nightly automation reel because I would spend about two hours hearing every one of the commercials over and over, while adding my own local weather forecasts. I also went from being full-time back to part-time, which I resented. I started looking around for other work and got a quick response from a powerful CHR station in Jonesboro called Power 102. I expressed much of my frustrations in my resignation letter to the station.
I felt bad leaving K-105 because the staff really was in many ways like a family and had, for the most part, been very good to me. One of the last things I did for the station was participate in events marking the 20th anniversary of it going on the air. I felt kind of funny doing all these public appearances and talking so lovingly about the station after having already put in my two weeks notice.
Part of a newspaper ad run in the Paragould Daily Press on Oct. 4, 1991 featuring photographs of the staff the day the station went on the air and the staff on the 20th anniversary.
Eventually KDXY made the upgrade and became a regional powerhouse, dominating the radio ratings in Jonesboro. While the call letters stayed the same, the station changed its name to 104.9 The Fox the format to country and overtook rival country station KFIN, which had once seemed invincible. As of this writing, Trey Stafford still runs the station which is now part of a cluster called the Jonesboro Radio Group and still does the morning show. I’m sure the key to its success is his personality, leadership and long-established ties to the community.
Trey Stafford outside the boyhood home of Johnny Cash in Dyess, Arkansas on Oct. 6, 2012. Photo: Michael Hibblen
In October 2012 I ran into Trey for the first time since leaving KDXY 21 years earlier. I’d friended him on Facebook a few years before that and we had bounced a few messages, but it was great to actually see and talk with him. It was while I was working on a feature story for NPR about the restoration of Johnny Cash’s boyhood home in the east Arkansas town of Dyess. I went up to Jonesboro to cover the second annual Johnny Cash Music Festival, which was raising money for the project, and saw Trey at the press conference before the show, but didn’t get a chance to come over and speak with him. The following morning I ran into him and got to talk a few minutes when I went to the restored Cash house to interview Cash’s brother and sister.
After seeing the devastation that deregulation and corporate consolidation has done to so many once great stations, I was glad to see KDXY hadn’t left Trey’s hands. I don’t know the exact timeline, but at some point the station became part Saga Communications of Michigan, with Trey serving as president/general manager of the Jonesboro Radio Group. Also, he hired Christie Mathews, who I had worked with in 1992 at KJBR. I’m glad to see the station is doing well and that a few of the people I worked with are still there.
