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Trey Stafford discusses growing up in radio

It was a joy listening to an interview with Trey Stafford, a boss of mine 33 years ago at KDXY-FM 104.9. An institution in northeast Arkansas broadcasting, he was featured in the latest episode of Paragould Podcast with Jared Pickney. Trey shared details about beginning in radio at the age of 9 on his hometown station KPCA-AM in Marked Tree. More than 50 years later, he dominates morning radio in Jonesboro.

There are several great stories that harken back to what small town radio used to be like, including when — at the age of 10 — he was called to sign the daytime-only station back on the air late one night to warn people of a potential tornado. At the age of 14, when he didn’t become a paid employee as promised, he left the station in a huff, but advanced his career. Trey’s life story is fascinating and I’m glad it was documented in this podcast. Give it a listen!

In addition to co-hosting the morning show with Jim Frigo at what is today known as 104.9 The Fox, Trey is President/ General Manager of Jonesboro Radio Group. He not only survived a tumultuous era of deregulation, he adapted and rose to the top in his market.

What I appreciated in 1990, as I note on the page detailing my experiences at the station,  was the respect he gave a 19-year-old with just a little bit of experience by offering me my first full-time radio position, complete with health insurance and other benefits. I’ve only seen him once since leaving Jonesboro in 1993, but am confident his success is thanks to his broadcasting business savvy and a strong personality that radiates into the community. 

Radio legend Jim Bohannon dies at 78

I was saddened to learn of the death of national talk show host Jim Bohannon from cancer on Saturday, Nov. 12. It happened about a month after he ended his long-running late-night radio program citing health issues. Bohannon had been very influential to me when I was starting my career, and years later, I was proud to report regularly from Miami for his “America in the Morning” program. I also got the opportunity to join him once live in the studio during his late-night show.

Bohannon had a warmth that radiated through the radio, along with intelligence, wit and an amazing voice. He was very comfortable to listen to. While acknowledging that his personal political beliefs were slightly conservative, Bohannon maintained a middle-of-the-road style on the air, at least in the years I was a regular listener.

This quote from him in 2003, included in Wikipedia’s entry on Bohannon, says it all:

“Our political system gives the extremes too much of a say-so. We’re very often given the choice between an off-the-wall, right-wing whacko or some left-wing idiot. The result is that the sensible center – where things actually get done in this country – winds up having to choose from the ‘evil of two lesser,” Bohannon said in an interview with Inside Radio.

Nineteen years later, in today’s era of hyper-partisan commentary, I think his comments can also be reflective on one reason so many once-dominant commercial news and talk stations have low ratings.

I became familiar with Jim Bohannon around 1990 when I would hear him on Little Rock affiliate KARN-AM 920 while driving home from my evening shift as a DJ at KLRA-FM 96.5 in England, Ark. He often filled in for Larry King on the Mutual Broadcasting System and had his own Saturday night show on the network. After King left the late-night show for an afternoon radio program in January 1993, Bohannon got the coveted slot.

In May 1993, I was hired by KARN as a news anchor, reporter and producer. It was then that I started hearing “America in the Morning,” which Bohannon also hosted. After the three-hour late-night program ended, he would spend the next three hours preparing the hour-long morning program, which was more of a magazine-style format and seemed to be a great lead-in for morning drive at affiliates. It must have been a grueling all-night shift for him.

In 2000, when I began working as a Miami-based freelance reporter for CBS News Radio, I would also file two-minute reports for “America in the Morning.” At that time, CBS and Bohannon’s programs were distributed by Westwood One, and they shared news content. I was one of two people CBS had in Florida, and between the two of us, we would travel around the state to cover stories of national interest.

At a time when reports for commercial radio stations typically ran 40 seconds at the most, it was a treat to produce longer versions of my stories that I felt provided better context and perspective. I could use several soundbites, and if they were strong, longer cuts, like exchanges during interviews or courtroom trials. The reports for “America in the Morning” would typically be the last thing I would produce after a day of covering developing stories and feeding reports for CBS hourly newscasts. The longer reports provided a chance for me to reflect on what had happened during the span of the day and how best to sum everything up.

While my reports to CBS would be fed to a producer in New York over phone lines using an expensive piece of equipment called a Comrex Hotline, which the network had assigned to me, my reports for Bohannon’s show were simply emailed as an MP3. While I saved those reports, for my own archives, I wanted to have Bohannon’s introductions to my reports. So during one trip to New York to spend a few days at the CBS Broadcast Center, I stopped at the Arlington, Virginia Westwood One studios where Bohannon’s program was based and his producer gave me access to recordings of the full programs so that I could record.

Jim Bohannon came in to do his program and we met for the first time. While making polite conversation about a story I had filed a day or two earlier about a large number of passengers becoming sick on a cruise ship that returned to South Florida, he invited me to join him on the air during a segment when he had no guests scheduled and was taking calls from listeners.

AUDIO: Joining Jim Bohannon on his national radio program on Dec. 2, 2002.

Needless to say, it was an honor to sit in with Bohannon. We’ve lost another great broadcaster and a throw back to a more congenial era of broadcasting.

AETN Details the Arrival of Radio in Arkansas

In 1922, the first radio station in Arkansas was put on the air by Harvey Couch, creator of Arkansas Power & Light. The call letters for WOK stood for “Workers of Kilowatts.” Couch made his first broadcast using a tower at his home in Pine Bluff, with a group listening at the nearby Hotel Pines.

I was among those interviewed about this for the AETN documentary “Music in Arkansas: Origins 200 BC-1941 AD.” As I explained, the arrival of radio would have a tremendous impact on the state, especially by connecting those living in rural areas with the rest of the country. You can watch that segment of the program below.

Writing About Pioneering Radio Station KBTM for the Encyclopedia of Arkansas

I’m proud to have been asked by the Encyclopedia of Arkansas to write an entry on KBTM, which was one of the state’s early radio stations, while its FM frequency with the same call letters is believed to have been the first licensed FM in the state. The online encyclopedia is a project of the Central Arkansas Library System.

I had extensively researched the Jonesboro radio station in 2011, even interviewing many people who worked there, as well as members of the Patteson family, which owned the AM/FM combo for 35 years. My research was spurred by eventual corporate owner Clear Channel Communications killing off the powerful FM frequency to put a lower power station on the air in Memphis, which would make more money being in a larger market. It was a joy to revisit my research as I prepared the entry for the encyclopedia, following its style. The entry was published Nov. 23, 2019 and can be read here. If you’d like to read what I originally wrote for my website, which includes audio of my interviews, you can find it here.

Little Rock Radio Legend Tom Wood Cut By Radio Giant

Tom Wood being interviewed on Feb. 24, 2019.

This is a sad day for Little Rock radio. Tom Wood, a radio legend in this market, was told today by iHeartMedia that his job was one of 70 being eliminated in the latest round of cuts by the bankrupt corporate radio company. His was one of the most familiar and beloved voices in Arkansas. Tom’s dismissal is just the latest example of how far the struggling industry has fallen, not only decimating heritage radio stations, but getting rid of icons like Tom.

He helped create the popular, longtime rock station Magic 105 in 1980, but with the deregulation of radio in the 1990s, Clear Channel bought the frequency and made changes leading to its downfall. Tom stayed with the company and even became the namesake for another station in the cluster called Tom-FM. But that station, following the corporate programming strategy of “we play it all,” was eventually changed to Big 94.9. Then the frequency changed formats again.

I interviewed him in February about his long career, which you can hear on the link. I hope his voice once again returns to the airwaves in Arkansas. READ MORE.

RIP Cartoonist Mort Walker of Beetle Bailey, Hi and Lois

Mort Walker (www.mortwalker.com)

I was sad to hear cartoonist Mort Walker, who brought the world “Beetle Bailey,” which at one time ran in 1,800 newspapers worldwide,  died Saturday, January 27, at the age of 94. I interviewed him a few times in the early 2000s while working as a Miami-based reporter for CBS News Radio and the program America in the Morning, hosted by Jim Bohannon.

It was a difficult period for Walker as the International Museum of Cartoon Art, which he founded in 1974, was struggling to survive. By then it was located in Boca Raton, Florida, but failed to attract enough donations, while a couple of corporate sponsors had gone bankrupt. A plan to affiliate with Florida Atlantic University also fell through.

The museum had an extensive collection of items, most of which had been donated by other cartoonists. In 2002 he spoke with me about a last ditch effort to raise money to pay the building’s mortgage by auctioning off the museum’s most prized possession, the original hand-drawn pencil sketches for a silent film called Plane Crazy.

Hear my report for Westwood One’s America in the Morning on the planned auction in 2002 of Plane Crazy.

“It’s what we call our Mona Lisa. It’s Walt Disney’s very first drawings of Mickey Mouse back in 1928 right after Lindbergh made his flight and this was sort of spoofing his flight in a way,” Walker told me. The 36 sketches on six panels had been appraised at more than $3 million, but when bids came in well below that at an auction on May 19, 2002, it was taken off the market.

It was eventually announced that the museum would be closing its doors, and there were a lot of fingers being pointed about who was to blame in the failed venture. I called Walker, but when I reached him he didn’t want to record an interview. I pressed him a little, arguing that I had given the museum positive coverage over the years by reporting on exhibits, and he relented, giving me some very honest comments. I always respected him for that.

Hear my 2002 report for America in the Morning on the museum then closing its doors.

“Oh, it’s terrible, I feel like crying because we love this building. I helped design it, and we just thought we were going to be the mecca for cartoons all over the world. And we didn’t get the financial or emotional support in the city that we needed,” Walker said.

At that point there was discussion about what would become of the collection. A key goal, he told me, was that it remain open and available to the public. One idea was to move the museum to the New York City area, which he noted was more of a tourist destination than Boca Raton, but an effort to house it in the Empire State Building didn’t work out. In 2008, Wikipedia reports, Walker accepted an offer to merge his collection with that of Ohio State University.

In my interview six years earlier in 2002, Walker told me, “We’re very, very sad to leave Boca, and it’s a dream that I’ve been working on for 27 years and it just didn’t seem to work out here.”